Posts Tagged ‘seattle’

End of the Line

Always loved industrial areas.  I wish they’d let me wander around rail yards and container storage sites.  Unfortunately, between terrorism and insurance, that’s not going to happen.  The Port of Seattle has a few hidden parks that are invariably next to shipping sites.  Jack Block Park is one of my favorites.  Here is the end of the rail line.

Camera & Lens   Canon PowerShot S90 (Canon) & 6.0-22.5 mm     Shutter:   1/1600 s
Creation Date:   2011:10:06 12:56:31     Aperture:   f/2.0
Artist:   Ari Brown     ISO:   200
Exposure Mode:   N/A     Focal Length:   6 mm

I wanted to highlight the part of the shot I liked best since I couldn’t frame around the bits I didn’t like.  I used the same technique from here to remove the color from the rest of the shot.  Simple, geometric.  Railroad lines – I’m always trying to frame those.

Twin Towers of Seattle

What’s it about hotels? I think the glossy glass monoliths of Seattle just leave me a bit cold, and the sort of kitchy but at least more… I dunno… hopeful(?) stuff from earlier generations seems like it has a bit more soul. Like our vestigal monorail and Space Needle (both products of the 60′s), the Westin at least *looks* like it hails from the same age.

Twin towers of the Seattle Westin

Camera & Lens   Canon PowerShot S90 (Canon) & 6.0-22.5 mm     Shutter:   1/400 s
Creation Date:   2011:07:22 15:51:19     Aperture:   f/4.0
Artist:   Ari Brown     ISO:   125
Exposure Mode:   N/A     Focal Length:   6 mm

As it turns out, the first tower was built in 1969, but the second wasn’t completed until 1982 – I guess by then they had to follow the same plan.  I like the idea of Seattle having a set of twin towers to call its own – maybe not as graceful or aspirational, but they fit the vibe of summertime in the northwest.

 

 

 

 

 

 

 

 

 

 

 

 

Home Sweet Block

Offered with little to no comment – my neighborhood.

Camera & Lens   Canon EOS REBEL T1i (Canon) & EF50mm f/1.8 II     Shutter:   1/3200 s
Creation Date:   2010:08:25 15:25:15     Aperture:   f/1.8
Artist:   Photographer: Ari Brown     ISO:   100
Exposure Mode:   Aperture priority     Focal Length:   50 mm

Obama at the Bakery

So usually when I want to get a loaf of bread at work, I just go to Grand Central Bakery – about 100 feet away.  Today, it got a little more complicated:

It seems when the president is going to hold a meeting with local business leaders at the place where you usually get snacks and pastries, that is somehow more important.  Funny – I usually go through the door, not a security tent.

These nice gentlemen told me that after the president was gone around 1, they’d be happy to serve me coffee, but right now, I couldn’t be closer than 20 feet from the door.  They didn’t tackle me for taking pictures though, so there’s that.


Glad I didn’t drive today.

Stereotypical Seattle

It must be stereotype day on yon blog.  I mean… other than taking a ferry to Pike Place Market, I think sunrise over Space Needle with Mount Rainier in the background is about as typical as it gets, yes?

Camera & Lens   Canon EOS REBEL T1i (N/A) & no lens info     Shutter:   1/4 s
Creation Date:   2010:02:04 08:21:18     Aperture:   f/4.0
Artist:   Ari Brown     ISO:   100
Exposure Mode:   N/A     Focal Length:   70 mm

If the view looks familiar, it’s because Kerry Park is one of the very few places you can shoot this view from, so the idea is hardly unique, but I was still excited to go up there for myself and see what it was all about.  I did a bunch of panoramas too, so you might see some of those coming up.   I like this a lot in HDR, but there is some ghosting – it’s a really busy picture and there are a lot of lines that will show any mis-alignment.  I shot this on a tripod with a cable release, but it’s still not as sharp as I’d like.  I guess there is a reason that my tripod was $80 instead of $500.

Standing up in the park on a cold morning made me think a little more about what it means to make a picture like this.  Sometimes all it takes is a lot of luck and showing up to get exactly what you want, but the real pros put far more work in than you might think.  I wanted sunrise, so I got up early.  I wanted an interesting sky so I waited for some clouds but not too many.  I wanted the sun between the Needle and Mt. Rainier, but when I got there I realized it was coming up much too far to the north – if you want that shot, you need to come back in a whole different season.  Like I said, sometimes you might get lucky, but most of the time it doesn’t just happen!

Low Light Abstracts Your Photography

I mentioned the Seattle Underground Tour in the last post.  Low light, shoving tourists, not a lot of time.  In cases like this, you get a lot of what you get:

Camera & Lens   Canon EOS REBEL T1i (Canon) & EF50mm f/1.8 II     Shutter:   1/6 s
Creation Date:   2010:01:01 15:25:14     Aperture:   f/1.8
Artist:   Photographer: Ari Brown     ISO:   3200
Exposure Mode:   Normal program     Focal Length:   50 mm

Sometimes that isn’t a bad thing though.  Back in the film days it was more of a change, but even now it feels odd to some people: taking good pictures is all about taking a whole lot of picture.  What you get will vary and what you expect to like might not be what you do.  For these shots, I wasn’t trying to really document what I was seeing because I knew it wouldn’t come out, but I like the effect anyway.

Camera & Lens   Canon EOS REBEL T1i (Canon) & EF50mm f/1.8 II     Shutter:   1/6 s
Creation Date:   2010:01:01 15:25:56     Aperture:   f/1.8
Artist:   Photographer: Ari Brown     ISO:   3200
Exposure Mode:   Normal program     Focal Length:   50 mm

The hand-held shots means camera shake.  High ISO means noise.  Funny lighting means… funny light.  It just is what it is and these two, I liked.  Wish I’d have taken more, but it was a tour, not photo time.  Oh… and if you are wondering, these two are both the old glass sidewalk skylights common in Pioneer Square – if you see them on the street, the ground underneath is hollow.

Someone Has Got Some Cleaning To Do

When you like a picture, it doesn’t have to be for any particular reason. Maybe the reason I like this is because it’s old-timey. Maybe because an antique sink, completely covered in dust just has some charm. Maybe it’s because the Seattle Underground Tour is fun for the whole family. Or maybe it’s because this is the most anthropomorphic sink I’ve ever seen.

Camera & Lens   Canon EOS REBEL T1i (Canon) & EF50mm f/1.8 II     Shutter:   1/30 s
Creation Date:   2010:01:01 14:24:13     Aperture:   f/1.8
Artist:   Photographer: Ari Brown     ISO:   400
Exposure Mode:   Normal program     Focal Length:   50 mm

C’mon – there’s a face in that, right?  He’s even got a different color for one eye.  That’s great stuff!  But yeah.  A sink.  I just liked it.  Getting a little photography wonky, it was a dark tour.  I took it with my 50mm, which goes down to 1.8, but when you’re being jostled by the crowd, you don’t have a lot of time to set up or a tripod, so you get what you can and I liked how this came out.  With low light, you can often lose some color, which made me want to try it in black and white.  Hit the jump to see that one!

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This Is How It Starts

It isn’t usually that cold here.  Seattle isn’t known for snow, or freezing, or any real extremes.  This week, however, is not effing around.  My computer is telling me it’s 25 degrees out right now, on its way down to 16 overnight.  This is not normal or ok.  So far, it’s been freezing but dry.  At this temperature, however, just a little moisture and you get what we had last year, almost to the day:

Nighttime Snow in Seattle

Camera & Lens   Canon EOS DIGITAL REBEL XT (Canon) & 50.0 mm     Shutter:   1/13 s
Creation Date:   2008:12:13 23:08:31     Aperture:   f/1.8
Artist:   Ari Brown     ISO:   400
Exposure Mode:   Normal program     Focal Length:   50 mm

Right now it’s all happy and bare out there, but never forget people – this is how it started.  You remember what happened after that, right?