Posts Tagged ‘HDR’

Diesel – A Reason To Advertise

Commercial detritus has always been a fascination of mine, especially things like old signs.  I’m not the only one – you see the pictures everywhere.  If I was making one up in my mind, I’m thinking a rough kinda industrial product, big letters, old peeling paint, decrepit building.  I’m thinking something like this:

Camera & Lens   Canon PowerShot S90 (N/A) & no lens info     Shutter:   1/640 s
Creation Date:   2010:04:27 22:52:51     Aperture:   f/8.0
Artist:   Ari Brown     ISO:   200
Exposure Mode:   N/A     Focal Length:   10.7 mm

That wasn’t really how things started.  If you want to see the original and hear a little more, hit the jump.

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Stacks and Stacks of Cans

My second favorite part of the port (you saw #1 last week) are those stacks and stacks of shipping containers.  I liked them even before season two of The Wire.  Something about the sort of adult building blocks nature they have going on, or maybe the bright colors they are often painted.  Maybe the fact that they just pile them into mountains and leave them (for sale?  to rust?) in large gated yards.  I don’t know but something does it for me.

Camera & Lens   Canon PowerShot S90 (N/A) & no lens info     Shutter:   1/400 s
Creation Date:   2010:04:01 00:30:01     Aperture:   f/4.5
Artist:   Ari Brown     ISO:   80
Exposure Mode:   N/A     Focal Length:   18.2 mm

My main problem is that they almost always sit behind big fences and if you can’t get close, you can’t get a very good shot.  These were behind a fence, but they were close enough to it that I could get close and shoot up.  If they’d let me into the middle of the stacks I’m sure I could get some cool shots, but for some reason they don’t seem to love random dudes with cameras in the middle of their business, so I guess I’ll settle for not being chased off for taking pictures from the outside.  Once again, shot this hand-held with my S90, set to auto-bracket and attempted to keep things still to get 3 shots for the HDR.  The containers came out pretty clean but it was windy – you can see the clouds moving between frames – probably 1 second total exposure time!

Stereotypical Seattle

It must be stereotype day on yon blog.  I mean… other than taking a ferry to Pike Place Market, I think sunrise over Space Needle with Mount Rainier in the background is about as typical as it gets, yes?

Camera & Lens   Canon EOS REBEL T1i (N/A) & no lens info     Shutter:   1/4 s
Creation Date:   2010:02:04 08:21:18     Aperture:   f/4.0
Artist:   Ari Brown     ISO:   100
Exposure Mode:   N/A     Focal Length:   70 mm

If the view looks familiar, it’s because Kerry Park is one of the very few places you can shoot this view from, so the idea is hardly unique, but I was still excited to go up there for myself and see what it was all about.  I did a bunch of panoramas too, so you might see some of those coming up.   I like this a lot in HDR, but there is some ghosting – it’s a really busy picture and there are a lot of lines that will show any mis-alignment.  I shot this on a tripod with a cable release, but it’s still not as sharp as I’d like.  I guess there is a reason that my tripod was $80 instead of $500.

Standing up in the park on a cold morning made me think a little more about what it means to make a picture like this.  Sometimes all it takes is a lot of luck and showing up to get exactly what you want, but the real pros put far more work in than you might think.  I wanted sunrise, so I got up early.  I wanted an interesting sky so I waited for some clouds but not too many.  I wanted the sun between the Needle and Mt. Rainier, but when I got there I realized it was coming up much too far to the north – if you want that shot, you need to come back in a whole different season.  Like I said, sometimes you might get lucky, but most of the time it doesn’t just happen!

Back To Gas Works

When I had all the time in the world, I used to drive around Seattle every day looking for pictures to take.  Just because you have time doesn’t mean you can find them.  No matter how many times I go, however, Gas Works Park always has something.  Yesterday, it was this:

Coal Gas Tower at Gas Works Park

The rust, the rivets!  I never get tired of it.  Shooting this one up against an overcast but bright sky, it was a bit hard to get the tower to stand out without washing out the sky, so I went back to my pseudo-HDR style to pull things apart.  I’m sure there are other ways to get the same effect, but once you’ve got this one sorted out, it’s really fast and easy.

No Better Place To Stop, Rest

I just returned from two days, primarily featuring the drive from Seattle to Corvallis and then back again in quick succession.  It wasn’t too bad, except for that traffic part.  Got to see some great things along the way, including the wedding that we were going for, but the trees weren’t bad either.  Oregon rest stops, well done.

oregon-reststop-tree-hdr

Camera & Lens   Canon EOS REBEL T1i (N/A) & no lens info     Shutter:   1/400 s
Creation Date:   2009:08:23 10:02:23     Aperture:   f/4.5
Artist:   Ari Brown     ISO:   100
Exposure Mode:   N/A     Focal Length:   28 mm

Fire Hydrants Are People Too

Not that you would have any way of knowing it, but some of my favorite pictures are of fire hydrants.  I had to go back and look to see if I’d ever posted any, but a little textual mention was all I found.  The only picture of mine I have up at home is a fire hydrant, and then this weekend when I was out at Gas Works Park, I saw this (or rather I had it pointed out to me by my sister):

HDR fire hydrant in Gas Works Park

Camera & Lens   Canon EOS DIGITAL REBEL XT (N/A) & no lens info     Shutter:   1/401 s
Creation Date:   2009:06:07 10:57:58     Aperture:   f/3.5
Artist:   Ari Brown     ISO:   100
Exposure Mode:   N/A     Focal Length:   50 mm

It’s a fire hydrant.  With eyes.  On a beautiful sunny day in Gas Works Park.  I shot this one in HDR using my standard method (Av Mode, auto bracketing at +/- 2 stops, attempt to hold still) and I think it came out nicely.  I like HDR for simple subjects because of the way the details are highlighted really gives a sense of depth and seperation between the foreground and background.  Or because it looks cool.  One of those.

Navigation By Tower

When people come from out of town and I need to direct them to my house, the Capitol Hill Radio Towers are about the best landmark I have.  “From the freeway, take Madison and go straight.  When you see the huge radio towers, you’re almost there”.

Capitol Hill Radio Tower

There are three of these monsters, doing things I read about at one time.  All I know is that when you get really close, you don’t even need a radio to pick up KUOW, so they’re doing something.  Although they’re kinda ugly (and the barbed wire and industrial outbuildings surrounding them or the gas station almost directly underneath don’t help), they have their own charm.  A steel skeleton rising into the heavens, sporting many a dish which, if it could talk, would clearly say “REALLY don’t get in front of me” – nice neighbors, right?

Up In Smoke

UW Powerplant Smokestack HDR

Camera & Lens   Canon EOS DIGITAL REBEL XT (N/A) & no lens info     Shutter:   1/80 s
Creation Date:   2009:03:10 07:01:13     Aperture:   f/4.0
Artist:   N/A     ISO:   100
Exposure Mode:   N/A     Focal Length:   24 mm

The UW has a power plant.  I suppose it’s pretty obvious when you look at the massive smokestack, constantly billowing… well… smoke, I guess.  I’ve looked at it a million times, but it wasn’t until I was lurking around campus the other day, trying to find an innocuous place to illegally park while driving the afternoon impromptu shuttle run that I realized how close you can get to it.  Even though it still produces 40% of the campus emissions (coal to natural gas switchover in the 80′s not withstanding), I’ve always loved looking at it.  A massive symbol of industry, hiding in plain view next to Montlake boulevard.

I took this picture with my wonderful Tokina 12-24 wide angle lens.  Although I was a little worried about how long I could hang around taking pictures of university infrastructure before someone ran me off, I got up as close as possible to the base of the stack and shot almost straight up.  In a more documentary picture, especially shooting from corner to corner of the frame, I might have used Photoshop to straighten out some lines, but I liked the effect of all the angles in this picture.  Using my standard HDR setup (handheld, but tight against my wonderful R-Strap, burst mode, AEB) I shot three shots and used Photomatix to combine them, but I dialled down the insanity a bit as I didn’t think this picture needed the glowing lights treatment.  I really like this shot in general – having a good subject means you don’t need to work nearly as hard to make the final product something you like.