This is the picture that made me come back. On my first photography trip to the Salton Sea, when I got this far, I knew I wanted to see more. Maybe next time I’ll post more of the color shots I took in the same area. This is the edge of Salton City – beachfront property that nobody wants.
Posts Tagged ‘B&W’
Always loved industrial areas. I wish they’d let me wander around rail yards and container storage sites. Unfortunately, between terrorism and insurance, that’s not going to happen. The Port of Seattle has a few hidden parks that are invariably next to shipping sites. Jack Block Park is one of my favorites. Here is the end of the rail line.
|Camera & Lens||Canon PowerShot S90 (Canon) & 6.0-22.5 mm||Shutter:||1/1600 s|
|Creation Date:||2011:10:06 12:56:31||Aperture:||f/2.0|
|Exposure Mode:||N/A||Focal Length:||6 mm|
I wanted to highlight the part of the shot I liked best since I couldn’t frame around the bits I didn’t like. I used the same technique from here to remove the color from the rest of the shot. Simple, geometric. Railroad lines – I’m always trying to frame those.
When you like a picture, it doesn’t have to be for any particular reason. Maybe the reason I like this is because it’s old-timey. Maybe because an antique sink, completely covered in dust just has some charm. Maybe it’s because the Seattle Underground Tour is fun for the whole family. Or maybe it’s because this is the most anthropomorphic sink I’ve ever seen.
|Camera & Lens||Canon EOS REBEL T1i (Canon) & EF50mm f/1.8 II||Shutter:||1/30 s|
|Creation Date:||2010:01:01 14:24:13||Aperture:||f/1.8|
|Artist:||Photographer: Ari Brown||ISO:||400|
|Exposure Mode:||Normal program||Focal Length:||50 mm|
C’mon – there’s a face in that, right? He’s even got a different color for one eye. That’s great stuff! But yeah. A sink. I just liked it. Getting a little photography wonky, it was a dark tour. I took it with my 50mm, which goes down to 1.8, but when you’re being jostled by the crowd, you don’t have a lot of time to set up or a tripod, so you get what you can and I liked how this came out. With low light, you can often lose some color, which made me want to try it in black and white. Hit the jump to see that one!
How do you decide when to take a picture in black and white as opposed to color? In the film days, it was actually a decision you had to make but with digital, it always starts as color. Most cameras have a black and white mode, but you’re kinda nuts if you use it*.
Most of the time when I take a picture and decide to process it into a B&W image, it’s because it either has really strong lines and contrast or it has very little in the way of color to start. That was what I found here:
|Camera & Lens||Canon EOS DIGITAL REBEL XT (Canon) & 12.0-24.0 mm||Shutter:||1/60 s|
|Creation Date:||2009:12:19 12:30:21||Aperture:||f/5.6|
|Exposure Mode:||Normal program||Focal Length:||15 mm|
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I was back in San Diego last week. Especially downtown and along the waterfront, so much has changed since I lived there. I blame Petco Park, but mostly I think it was just the real estate boom.
For all the new, there is still some old. Down in Seaport Village, the Marriott Hotel is still going strong. As much as those new buildings might look nice, this is the only one I wanted to take pictures of.
|Camera & Lens||Canon EOS REBEL T1i (Canon) & EF24-105mm f/4L IS USM||Shutter:||1/200 s|
|Creation Date:||2009:10:10 17:11:04||Aperture:||f/9.0|
|Artist:||Photographer: Ari Brown||ISO:||200|
|Exposure Mode:||Normal program||Focal Length:||24 mm|
Since it’s all geometry and lines and shapes, I think it turned out pretty well in black & white. Color isn’t bad either, but this got my vote.
I used to work at a place that had something to do with cars. While I was there, my photography thing and my work thing seemed to overlap and I got to take some pictures of cars we were reviewing as well as a whole lot of car shows. The kind of pictures that worked well there weren’t usually the kind I liked taking but I always took a few for myself. Things like this and this. I just dug back into the vault from the same show that the other two came from and found another one I liked.
Only thing is, I can’t for the life of me remember what kind of car it was attached to. Anyone know at least the make if not the model? C’mon you car buffs out there – show me what you got!
Getting back to the photo nerd thing, the bokeh is nice. With so many symmetrical reflections I really like the pattern across the top of the hood. This image has been chopped up a bit and I don’t have the original so I don’t have the EXIF information, but I’m pretty sure I took this with my 50mm lens just because you can count the number of diaphragm blades that make up the aperture – 5, just like the 5 sided bursts of light you get in this picture.
Like most things in life, when you want to convert a color photo into black and white, there is more than one way to get the job done. When you want good enough, life is simple. Got Picasa? Hit that Black and White button. Even in Photoshop, you have a few options:
- Image -> Adjustments -> Desaturate
- Image -> Mode -> Grayscale
Want to learn about a few more choices, by all means, click for the rest of the post.
Pigeons on a telephone wire – classic picture, right?
|Camera & Lens||Canon EOS DIGITAL REBEL XT (Canon) & 24.0-105.0 mm||Shutter:||1/4000 s|
|Creation Date:||2009:04:04 14:58:38||Aperture:||f/4.0|
|Exposure Mode:||Aperture priority||Focal Length:||75 mm|
Even so, finding the right shot can be hard. I wanted the simple lines and symmetry in the wires. Sun should be up but not right overhead. You need some pigeons in there, right? Well I was out shooting radio towers and I just saw this out of the corner of my eye. Want more? Hit the jump for the rest of the post.